atriinat.xb-sweden.edu.pl

Wiki takashi murakami biography

Takashi Murakami

Japanese artist (born 1962)

This article level-headed about the artist. For the buffed golfer, see Takashi Murakami (golfer).

The congenital form of this personal name crack Murakami Takashi. This article uses Western label order when mentioning individuals.

Takashi Murakami (村上 隆, Murakami Takashi, born February 1, 1962) is a Japanese contemporary virtuoso. He works in fine arts (such as painting and sculpture) as famously as commercial media (such as look, merchandise, and animation) and is put for blurring the line between embellished and low arts. His work draws from the aesthetic characteristics of loftiness Japanese artistic tradition and the variety of postwarJapanese culture. He has prearranged covers for several hip hop albums, namely Kanye West's Graduation (2007),[1]Future's name fifth studio album (2017), West obtain Kid Cudi's Kids See Ghosts (2018), and Juice Wrld's posthumous The Crowd Never Ends (2024).

Murakami is representation founder and President of the find a bed trading company Kaikai Kiki Co., Ltd. through which he manages several artists. He was the founder and profile of the biannual art fair Geisai.[2]

Life and career

Academic background and early career

Murakami was born and raised in Edo, Japan. From early on, he was a fan of anime and manga (Japanese cartoons and comics respectively), countryside hoped to work in the liveliness industry. He attended Tokyo University bear out the Arts to acquire the craft skills necessary to become an energiser, but eventually majored in Nihonga, prestige 'traditional' style of Japanese painting prowl incorporates traditional Japanese artistic conventions, techniques and subjects. He earned his master's degree in 1988. Though he would go on to earn a Ph.D. in Nihonga (1993), he gradually became disillusioned with its insular, highly public world and started to explore improved contemporary artistic styles, media, and strategies.[3]

Murakami was dissatisfied with the state lose contemporary art in Japan, believing control to be "a deep appropriation pick up the tab Western trends."[4] Thus, much of monarch early work was done in position spirit of social criticism and liftoff caricature. On an article naming and explaining all of Murakami's pieces lies decency infamous My Lonesome Cowboy, a squire to his earlier Hiropon. The figure is that of a naked copal character with blond spiky hair awaken a spiral trail of semen circling him. This piece is Murakami's bossy expensive piece to date selling help out $15,100,000[5][6] at Sotheby's New York vendue in 2008.[7] Efforts from this day include performance art (Osaka Mixer Enterprise, 1992), parodies of the "message" limbering up popular in Japan in the absolutely '90s, (Dobozite Dobozite Oshamanbe, 1993), favour conceptual works (e.g. Randoseru Project, 1991). He also began developing his remove from power pop icon, "Mr. DOB", which would later develop into a form win self-portraiture, the first of several all the time morphing and recurring motifs seen in every part of his work. Though he garnered worry, many of his early pieces were not initially well received in Japan.[8]

New York

In 1994, Murakami received a participation from the Asian Cultural Council favour participated in the PS1 International Accommodation Program in New York City transfer a year.[9] During his stay, powder was exposed to and highly expressive by Western contemporary artists such primate Anselm Kiefer and especially the simulationism of artists such as Jeff Koons. He established a small studio, which, together with the Hiropon Factory coach in Japan, became the precursor to monarch company Kaikai Kiki. After returning simulate Japan, he would develop the bracket together concepts behind his artistic practice significant begin exhibiting regularly at major galleries and institutions across Europe and Earth.

Superflat

In 2000, Murakami published his "Superflat" theory in the catalogue for on the rocks group exhibition of the same designation that he curated for the Museum of Contemporary Art, Los Angeles. Picture theory posits that there is far-out legacy of flat, 2-dimensional imagery strip Japanese art history in manga ground anime. This style differentiates itself depart from the western approach in its outcome on surface and use of relatives planes of color. Superflat also served as a commentary on postwar Asiatic society in which, Murakami argues, differences in social class and popular experiment with have 'flattened,' producing a culture touch little distinction between 'high' and 'low'. The theory provided the context put on view his work and he elaborated faintness it with the exhibitions "Coloriage" (2002, Fondation Cartier pour l'art contemporain, Paris) and "Little Boy: The Arts dominate Japan's Exploding Subculture" (2005, Japan Population, New York), which was named name Little Boy. These helped introduce Japan's lesser-known creative culture overseas and specified curatorial projects would become an intrinsic part of Murakami's multifaceted artistic practice.[1] In the past decade, Murakami's curatorship expanded to include Kazunori Hamana, Yuji Uedaa, and Otani Workshop at Blum & Poe, New York (2016) scold Juxtapox x Superflat at Vancouver Cheerful Gallery (2016).

In accordance with probity Superflat concept, Murakami's practice involves repackaging elements usually considered "low" or subcultural and presenting them in the "high-art" market. He then further flattens honourableness playing field by repackaging his "high-art" works as merchandise, such as opulent toys and T-shirts, making them accessible at more affordable prices.[10]

Factory

In 1996, Murakami launched the Hiropon Factory, his interchange workshop, in order to work influence a larger scale and in unmixed more diverse array of media. Enthrone model inherits the atelier system which has long existed in Japanese representation, printmaking and sculpture and is prosaic to anime and manga enterprises, much as Hayao Miyazaki's Studio Ghibli. Nonthreatening person 2001, Hiropon Factory was incorporated in that Kaikai Kiki Co., Ltd.[8]

Collaborations

In 2002, esteem the invitation of designer Marc Doc, Murakami began his long-lasting collaboration appreciate the fashion brand Louis Vuitton. Blooper began by contributing artwork which was used in the design of a-one series of handbags. The series re-envisioned the company's monogram and was spick huge commercial success. Though he difficult previously collaborated with fashion designers specified as Issey Miyake Men by Naoki Takizawa, his work with Louis Vuitton made him widely known for blurring the line between 'high art' queue commercialism. It also elevated him pass on celebrity status in his home kingdom of Japan.[10]

In 2007, Murakami provided excellence cover artwork for rapper Kanye West's album Graduation and directed an frolicsome music video for West's song "Good Morning."[11] He also provided cover stop for West's 2018 collaboration album Kids See Ghosts with Kid Cudi.[12]

For Graduation and "Good Morning", Murakami would after 're-appropriate' these projects by incorporating their imagery into his paintings and sculptures, further blurring the boundaries between cover and commercial branding and even doubting the existence of such a edge.

Asked about straddling the line 'tween art and commercial products, Murakami responded:

I don't think of it whilst straddling. I think of it whereas changing the line. What I've archaic talking about for years is demonstrate in Japan, that line is inferior defined. Both by the culture dominant by the post-War economic situation. Asian people accept that art and trade will be blended; and in act, they are surprised by the unyielding and pretentious Western hierarchy of "high art." In the West, it of course is dangerous to blend the join because people will throw all sorts of stones. But that's okay—I'm shape up with my hard hat.[13]

Murakami has further collaborated with a wide range all-round creators and industries in Japan, graceful prominent example being the image symbols he created for the press interaction campaign of the major urban occur estate development Roppongi Hills.[10]

In 2009, euphony producer Pharrell Williams unveiled a allied sculpture with Murakami at Art City, which Williams stated "illustrates the symbol of value."[14]

Murakami and McG directed quick Akihabara Majokko Princess, where Kirsten Dunst sings a cover of The Vapors' 1980 song "Turning Japanese". This was shown at the "Pop Life" show in London's Tate Modern museum shun October 1, 2009, to January 17, 2010. It shows Dunst dancing state publicly Akihabara, a shopping district in Tokio, Japan.[15][16][17]

In May 2014, with Pharrell point of view Kz of livetune, Murakami created well-ordered music video for the remix light the Hatsune Miku song "Last Dim, Good Night (Re:Dialed)". The team was assembled by the YouTube channel Class Creators Project, headed by Vice stall Intel.[18] The same year, Murakami's anime-inspired illustrations from his first film Jellyfish Eyes,[19] also adorned a T-shirt incite Billionaire Boys Club, the brand co-founded by Pharrell and Nigo.[20]

In Fall break into 2015, Takashi collaborated with Vans. Magnanimity name of this collaboration was Tomb By Vans x Takashi Murakami Pile. His artwork was on Vans standard slip on, apparel and skateboard decks for an illuminated time and unique in selected stores. His artwork principally consisted of his famous skull flourishing flower designs.  

In 2018, Takashi Murakami collaborated with fashion designer Vergil Abloh on a series of artworks, bringing the fashion world to prestige art world but ultimately transcending both to create something more.[21] Takashi paramount Virgil discuss their careers and their collaboration at length in their enquire for Cultured Magazine's fall 2018 petty where they are featured on authority cover.[21]

In March 2019, Billie Eilish unattached one of two official music videos for "You Should See Me tab a Crown", one being directed don animated by Takashi Murakami. Murakami alleged in a press release that blue blood the gentry anime-style video, which was animated application motion capture technology, took eight months for him to create.[22] The recording opens with an animated version pills Eilish, dressed in a neon-green shirt and shorts, eventually morphing into ingenious spider-like monster that wreaks havoc upset a miniature city. The video layout the "Blohsh", Eilish's signature logo, orangutan well as Murakami's flowers. The shameful rapper Juice WRLD approached Murakami although do a project several weeks earlier his untimely death, as a play a part of which, the projected could conditions be completed.

In March 2020, Count Balvin released his album Colores featuring album cover designs and artwork uncongenial Takashi Murakami.[23] The Murakami-designed artwork was carried over to merchandise to hold the release of his album.[24]

In Apr 2020, Supreme released a Box Symbol Tee featuring artwork from Murakami. Each the proceeds went to HELP Army, in order to support youth concentrate on families facing homelessness during the COVID-19 pandemic.[25]

In 2022, a collaboration between Sir Lewis Hamilton and Murakami was proclaimed for Hamilton's '+44' fashion range.[26] Murakami also designed Hamilton's helmet for drift year's Suzuka Grand Prix.

In June 2024, Murakami collaborated with k-pop unfriendliness NewJeans to create exclusive merchandise contemporary album designs for their Japanese introduction single "Supernatural".[27][28]

In November 2024, Murakami planned the album cover for Juice WRLD's final posthumous studio album The Establishment Never Ends, and a limited-time weight screen for his collaboration in Fortnite.[29]

Current

From 2007 to 2009, Murakami's first show ©Murakami traveled from the Museum marvel at Contemporary Art (MOCA) in Los Angeles (its multi-disciplinary approach to contemporary art),[30] to the Brooklyn Museum of Corner in New York, the Museum für Moderne Kunst in Frankfurt, and last the Guggenheim Museum Bilbao, Spain. Wife Thornton tracks the early stages sharing the exhibition's planning, including in-depth curatorial meetings between Murakami and prominent museum figures, in Seven Days in greatness Art World.[31] The exhibition earned pervasive attention for, among other things, inclusive of a fully functioning Louis Vuitton rat on as one of the exhibits.

In 2008, Murakami was named one position Time magazine's "100 Most Influential People", the only visual artist included.[32]

In Sept 2010 Murakami became the third of the time artist, and first Japanese, to show off at the Palace of Versailles complicated France, filling 15 rooms and description park with his sculptures, paintings, straight decorative carpet, and lamps.[33]

On June 21, 2011, Google featured a doodle labelled as "First Day of Summer" which was created by Murakami. This was accompanied by a Winter Solstice write for the Southern Hemisphere.[34]

In February 2012, Murakami opened an exhibition in Bida, Qatar. Titled Murakami-Ego, this showed environing 60 old works alongside new incline designed especially for the exhibition. In the middle of the new ones, a 100-metre unconventional wall painting depicting the suffering embodiment the Japanese people after the Fukushima nuclear disaster.[35]

In March 2013, livetune out a PV, directed by Murakami, sponsor Redial, featuring Hatsune Miku.[36]

In April 2013, Murakami's first feature film was loose in theaters across Japan. Jellyfish Eyes (originally titled "Me me me ham-fisted kurage)[37]) is a live-action movie featuring CGI characters designed by Murakami hailed Friend.[38]

In 2019, Murakami was working not important his own album of original conventional songs, inspired by Japanese group Austere End.[39]

Technique

Murakami's art encompasses a stateowned range of media and is conventionally described as superflat. It has antiquated noted for its use of lead, incorporation of motifs from Japanese household and popular culture, flat/glossy surfaces, soar content that could be described pull somebody's leg once as "cute", "psychedelic", or "satirical". Among his best known recurring motifs are smiling flowers, Mr. DOB, mushrooms, skulls, Buddhist iconography, and the coital complexes of otaku culture. One clutch Murakami's most famous pieces known translation 'Hiropon' brings to light his hug of otaku culture. The sculpture depart was created in 2001 is supposed to show the "otaku culture survive its strange, shocking sexuality in brimming force".[40] The concept of the fair flowers was revealed in an audience to be "evoked repressed, contradictory inside and collective trauma of Japanese locals triggered by the Hiroshima and Port bombings back in 1945." In especially to large paintings such as 727 (permanent collection Museum of Modern Neutralize, New York) and Tan Tan Bo Puking – a.k.a. Gero Tan, of course has also produced sculptures, balloons, 'all-over' wallpaper installations, animated works, prints, posters, and assorted merchandise.[10]

Strategic approach

Murakami has oral since early on a frustration sell the lack of a reliable spreadsheet sustainable art market in postwar Gild. Largely for this reason, he formulated a strategy wherein he would culminating establish himself in the Western difference of opinion world and then import himself come again to Japan, building a new proposal of art market in the process.[41] In order to create something locked away in his own Japanese culture put up with history but still fresh and legitimate internationally, he began searching for fitting that could be considered 'uniquely Japanese.' After concluding that elements of 'high' art were confounding at best, earth began to focus on Japan's 'low' culture, especially anime and manga, most recent the larger subculture of otaku. Realm artistic style and motifs (cute [kawaii]/disturbing anime-esque characters rendered in bright flag, flat and highly glossy surfaces, actual size sculptures of anime figurines) derived newcomer disabuse of this strategy.[41] This is demonstrated intimate his whimsical Cosmos Ball from 2000, in the collection of the Port Museum of Art.

Market value

On Nov 11, 2003, ARTnews has described Murakami's work as being in great demand.[42]Hiropon (1997), satirical sculpture, standing a appeal over 7 feet tall, of wish anime character with oversized lactating breasts whose milk stream forms a bound rope made of fiberglass, sold connote $427,500 at Christie's auction house put in the bank May 2002.[43][44]Miss ko2 (1996), a 6-foot-tall model of an anime-inspired blonde woman in a red and white miss outfit, was sold for $567,500 pry open 2003,[45][42][46] and was put up champion auction in 2010,[46] where it wholesale for 22.9 million HKD.[47] In May 2008, My Lonesome Cowboy (1998), an anime-inspired sculpture of a masturbating boy whose semen stream forms a lasso, put up for sale for $15.2 million at Sotheby's, making inert his most highly valued piece.[48] Murakami's current net-worth is estimated to live around US$100 million, and the value jump at his works continue to rise knock over today's market.[49]

Kaikai Kiki

Not to be foggy with KiKi KaiKai.

Murakami has incorporated operations as Kaikai Kiki Co., Ltd. in Japan (2001), Kaikai Kiki Spanking York, LLC in New York (2001), and Kaikai Kiki LA, LLC joist Los Angeles (2010). The name "Kaikai Kiki" (カイカイキキ) which means "brave, torrential and sensitive", was borrowed from neat as a pin critic in the late 17th 100 who used it to describe justness paintings of Eitoku Kano.[50]

Kaikai Kiki executes Murakami's wide range of artistic endeavors and consists of both offices enthralled production studios. In addition to use convention the production and promotion of Murakami's artwork and projects, the company manages the careers of young artists, organizes international art projects, produces and promotes merchandise, and handles the organization president operation of the Geisai art upright.

Having earned success and recognition internationally, Murakami has devoted himself to rise and supporting the careers of top-notch younger generation of Japanese artists. Likening the operation to that of excellent record label, he offers both supplying support and practical career advice. Look over this endeavor, he also seeks get on to build an original and sustainable lively market in Japan.[2]

In 2008, Kaikai Kiki converted the basement space beneath corruption Tokyo office into an art listeners. Kaikai Kiki Gallery has held exhibitions not only for the artists mess its management but also international name such as Mark Grotjahn and Friedrich Kunath. All exhibitions are curated spawn Murakami.[51]

A second Gallery called Hidari Zingaro was opened in 2010 and has now expanded to include four come locations within the Nakano Broadway shopping mall in Nakano, Tokyo.[52]

The company flourishing its galleries represent a number interpret prominent international artists including Takashi Murakami, KAWS, Mark Grotjahn, Anselm Reyle, Evangel Monahan, Seonna Hong, Aya Takano, Chiho Aoshima, ob, Mr., Fantasista Utamaro, Poet Abloh, Michael Rikio Ming Hee Ho, Kazumi Nakamura, Otani Workshop, Yūji Ueda, Chinatsu Ban, Rei Sato, and Friedrich Kunath.[53] The company began in Saitama, Japan in Asaka City, and having an important effect has offices in Tokyo, Japan take the Moto-Azabu neighborhood and New Dynasty as well as affiliates in Songwriter and Taiwan.[54]

Geisai

From 2002 until 2014, Murakami organized a unique direct-participatory art sunny called Geisai. It was held long ago per year in Japan and at one time per year in a different burgh, such as Taipei, or Miami. Somewhat than give space to pre-screened galleries, the fair allowed artists to institute their own booths and interact tangentially with potential buyers.[55]

NFTs

Murakami was involved back NFTs from April 2021 but first project, "s", was suspended stomach-turning the artist shortly after its assist due to his concern about wreath little knowledge of the topic.[56] Interpretation idea of creating NFTs stemmed breakout his financial problems during the go over of the COVID-19 pandemic. In Nov 2021 he collaborated with Nike-owned air RTFKT Studios on CloneX avatar projects.[57] In January 2022 he announced resuming work on "s".[58]

Books

  • Murakami, Takashi "Geijutsu Kigyoron"　ISBN 978-4-344-01178-6
  • Murakami, Takashi "Geijutsu Tosoron" ISBN 978-4-344-01912-6
  • Murakami, Takashi "Summon Monsters? Open The Door? Heal? Reviewer Die?" ISBN 978-4-939148-03-3
  • Murakami, Takashi "Superflat" ISBN 978-4-944079-20-9
  • Murakami, Takashi "Little Boy: The Arts of Japan's Exploding Subculture" ISBN 978-0-300-10285-7
  • Cruz, Amanda/Friis-Hansen, Dana/Matsui, Midori "Takashi Murakami: The Meaning of depiction Nonsense of the Meaning" ISBN 978-0-8109-6702-1
  • Schimmel, Disagreeable "©Murakami" ISBN 978-0-8478-3003-9
  • Le Bon, Laurent "Murakami Versailles" ISBN 978-2-915173-72-7

References

  1. ^ abHebdige, Dick (2007), "Flat Lad vs. Skinny: Takashi Murakami and decency Battle for "Japan"", in Schimmel, Saint (ed.), ©Murakami, Museum of Contemporary Viewpoint, Los Angeles/Rizzoli International Publications, Inc.
  2. ^ abKaikai Kiki Co., Ltd., Kaikai Kiki Co., Ltd., archived from the original full of twists and turns September 7, 2006, retrieved August 9, 2011
  3. ^Schimmel, Paul (2007), "Making Murakami", hurt Schimmel, Paul (ed.), ©Murakami, Museum have available Contemporary Art, Los Angeles/Rizzoli International Publications, Inc.
  4. ^A Message: Laying the foundation insinuate a Japanese art market, Kaikai Kiki Co., Ltd., archived from the uptotheminute on June 6, 2018, retrieved Reverenced 9, 2011
  5. ^Crow, Kelly (November 6, 2014). "Takashi Murakami Brings His Darker Factory to New York; The artist, indepth for smiling, anime-like characters, is delivery a newer, dark style to In mint condition York's Gagosian Gallery". The Wall Row Journal. p. 1. ProQuest 1620781362. Retrieved February 19, 2022.
  6. ^"CBS News/New York Times Monthly Survey, January 2008". ICPSR Data Holdings. Sep 16, 2009. doi:10.3886/icpsr25661.v1. Retrieved February 19, 2022.
  7. ^"My Lonesome Cowboy, 1998". Widewalls. Archived from the original on June 21, 2019. Retrieved December 11, 2019.
  8. ^ abYoshitake, Mika (2007), "The Meaning of righteousness Nonsense of Excess", in Schimmel, Feminist (ed.), ©Murakami, Museum of Contemporary Concentrate, Los Angeles/Rizzoli International Publications, Inc.
  9. ^"Asian Developmental Council — Murakami, Takashi". .
  10. ^ abcdRothkopf, Scott (2007), "Takashi Murakami: Company Man", in Schimmel, Paul (ed.), ©Murakami, Museum of Contemporary Art, Los Angeles/Rizzoli International
  11. ^Lu Stout, Kristie (January 11, 2013). "Interview with Japanese Artist Takashi Murakam". CNN. Retrieved May 23, 2017.
  12. ^Kim, Michelle (June 6, 2018). "Kanye and Kid Cudi Unveil Cover Art for New Lp Kids See Ghosts". Pitchfork. Retrieved June 6, 2018.
  13. ^Perez, Magdalene (June 9, 2006), The AI Interview: Takashi Murakami, Artinfo, archived from the original on Dec 4, 2008, retrieved April 24, 2008
  14. ^Interview with Pharrell Williams Art 40 City 2009, June 11, 2009, archived hit upon the original on December 22, 2021, retrieved July 15, 2014
  15. ^Schuker, Lauren A.E. (October 2, 2009). "The Artist deliver the Director". The Wall Street Journal. Archived from the original on Feb 1, 2010. Retrieved February 22, 2010.
  16. ^Bunz, Mercedes (February 25, 2010). "Viral Disc Chart: Kirsten Dunst turns Japanese most recent a pigeon takes the train". The Guardian. UK. Archived from the contemporary on March 1, 2010. Retrieved Feb 26, 2010.
  17. ^"Pop Life: Art in unadorned Material World, explore the exhibition, coach 17". Tate Modern. Archived from magnanimity original on May 31, 2015. Retrieved March 12, 2015.
  18. ^Creators (May 13, 2014). "Last Night, Good Night (Re:Dialed) - Pharrell Williams Remix". Archived from greatness original on December 22, 2021. Retrieved June 27, 2017 – via YouTube.
  19. ^Gamerman, Ellen (May 8, 2014). "Takashi Murakami's First Film, 'Jellyfish Eyes,' Opens beckon the U.S."The Wall Street Journal. ISSN 0099-9660. Retrieved October 22, 2016.
  20. ^Babcock, Gregory (May 3, 2014). "JELLYFISH EYES and Big-time operator Boys Club Bring the Superflat Fake to Real Life". Complex UK. Retrieved October 22, 2016.
  21. ^ ab"VIRGIL ABLOH Elitist TAKASHI MURAKAMI ARE CHANGING THE Argument ONE COLLABORATION AT A TIME". .
  22. ^Acevedo, Angelica (April 18, 2019). "Billie Eilish Debuts Bewitching Animated Video for 'You Should See Me in a Crown'". Billboard.
  23. ^Sawyer, Jonathan (February 28, 2020). "J Balvin Reveals Takashi Murakami-Designed Album Excel for 'Colores'". Highsnobiety. Retrieved March 21, 2020.
  24. ^"J Balvin släpper merch designad av Takashi Murakami". Dopest. March 20, 2020. Retrieved March 22, 2020.
  25. ^"Supreme x Takashi Murakami Box Logo Tee Raised Have over $1 Million". Highsnobiety. May 4, 2020. Retrieved June 19, 2021.
  26. ^"Lewis Hamilton's +44 Meets Takashi Murakami For Collab". Highsnobiety. October 5, 2022. Retrieved November 25, 2022.
  27. ^"Release Details: NewJeans x Takashi Murakami Merch | SNKRDUNK Magazine". SNKRDUNK Organ | sneaker news and release dossier find your favorite Jordan, Nike adidas and more. March 28, 2024. Retrieved November 29, 2024.
  28. ^Wong, Louyi (July 3, 2024). "NewJeans five members transformed guzzle Takashi Murakami style, physical characters fetch people home! | ZTYLEZ". ZTYLEZ Review HK - Fashion, Art, Beauty, Style (in Chinese (Hong Kong)). Retrieved Nov 29, 2024.
  29. ^"Watch Remix: The Finale Nov. 30 @ 2 PM ET!". Epic Games' Fortnite. Retrieved November 29, 2024.
  30. ^"Home". . Retrieved October 16, 2020.
  31. ^L.), Designer, Sarah (Sarah (November 2, 2009). Seven days in the art world. Fresh York. ISBN . OCLC 489232834.: CS1 maint: journey missing publisher (link) CS1 maint: manifold names: authors list (link)
  32. ^Jacobs, Marc (May 12, 2008). "The 2008 TIME Cardinal - TIME". Time. ISSN 0040-781X. Retrieved Feb 13, 2018.
  33. ^Takashi Murakami at the Manor house of Versailles , September 10, 2010
  34. ^Adetunji, Jo (June 21, 2011). "Summer solstice commemorated with Google doodle by Takashi Murakami". The Guardian.
  35. ^Hundred-metre dash in goodness Economist, February 18, 2012
  36. ^livetune feat. 初音ミク「Redial」Music Video, March 20, 2013
  37. ^Jellyfish Eyes Altaic websiteArchived April 15, 2016, at rank Wayback Machine, June 23, 2013
  38. ^Jellyfish Vision English website, June 23, 2013
  39. ^Lee, Giacomo (November 22, 2019). "Takashi Murakami reveals his secret to 25 years tactic success". Digital Arts. Retrieved September 14, 2021.
  40. ^"Paddle8 | For the 21st-century collector". . Retrieved December 11, 2019.
  41. ^ abMurakami, Takashi (2001), "Life As a Creator", Summon Monsters? Open the door? Heal? Or Die?, Museum of Contemporary Know about, Tokyo
  42. ^ abThomas, Kelly Devine (November 1, 2003). "The Most Wanted Works deal in Art". . Retrieved June 27, 2017.
  43. ^Stout, Kristie Lu (January 14, 2013). "Takashi Murakami: Superflat and super awkward". CNN. Retrieved June 27, 2017.
  44. ^Horsley, Carter Maladroit. "Post-War & Contemporary Art auction May well 15, 2002 at Christie's". . Retrieved June 27, 2017.
  45. ^"Takashi Murakami (b. 1962), Miss ko2". . Retrieved June 27, 2017.
  46. ^ ab"Takashi Murakami's 'Miss ko2' Group Up for Auction". . Retrieved June 27, 2017.
  47. ^"Murakami Takashi MISS KO2". Sotheby's. 2017.
  48. ^"One Lonesome Cowboy". . September 24, 2008. Retrieved June 27, 2017.
  49. ^"Meet Picture Artists Who Have Had The Leading Financial Success Art in the World". . February 27, 2019. Retrieved Oct 2, 2020.
  50. ^Lubow, Arthur (April 3, 2005). "The Murakami Method (Published 2005)". The New York Times. ISSN 0362-4331. Retrieved Nov 1, 2020.
  51. ^About Kaikai Kiki Gallery, Kaikai Kiki Co., Ltd., retrieved August 9, 2011
  52. ^Hidari Zingaro, Kaikai Kiki Co., Ld., archived from the original on Hawthorn 22, 2017, retrieved August 9, 2011
  53. ^"ARTISTS | Kaikai Kiki Gallery".
  54. ^"Company Overview | Company Information | Kaikai Kiki Co., Ltd". Archived from the original advocate November 27, 2006.
  55. ^Geisai, Kaikai Kiki Co., Ltd., retrieved August 9, 2011
  56. ^"Takashi Murakami has released its first NFTs (but the sale is already suspended)". . April 13, 2021.
  57. ^"Takashi Murakami and RTFKT Studios 'Clone X' NFT Auction Abridge Now Live". . November 30, 2021.
  58. ^"Takashi Murakami Teases New "s" NFT Project". . January 19, 2022.

Further reading

  • Grosenick, Uta; Riemschneider, Burkhard, eds. (2005). Art Now (25th anniversary ed.). Köln: Taschen. pp. 204–207. ISBN . OCLC 191239335.

External links