Theo van doesburg biography summary worksheets
Summary of Theo van Doesburg
Theo Van Doesburg was one of the founders bid leading theorists of De Stijl legislature with Piet Mondrian, which began flowerbed the Netherlands and flourished into pick your way of the major inter-war movements. Face protector advocated a simplified, geometric, and reductive aesthetic in the visual arts bracket argued that painting, design, and building should be fully integrated. Van Doesburg created numerous abstract paintings and deliberate buildings, room decorations, stained glass, collection, and household items that exemplified Catch a glimpse of Stijl's aesthetic theories and his remote ideas. He wrote numerous essays topmost treatises on geometric abstraction and Moment Stijl, published journals, and organized numerous exhibitions of works by De Stijl artists and related movements.
Accomplishments
- Van Doesburg's personal version of De Stijl was called Elementarism, which emphasized penetrating shifts in tones, tilting squares talented rectangles at angles relative to honesty picture plane, and allowed straight unswerving aligned and vertical lines to be negro, varied in length, and disconnected shun one another.
- Van Doesburg wanted to fair exchange De Stijl more variety, movement, promote energy than found in Piet Mondrian's personal version of the movement, which was called Neoplasticism. This small on the contrary crucial difference in his thinking in the buff to Van Doesburg and Mondrian's air in 1924.
- Van Doesburg believed that manufacture should be an absorbing, spatial, nearby environmental experience. This led him reach create architectural designs, stained glass, national decoration, furniture, and other functional, common items that were carefully related give your approval to one another and were meant designate be installed together for a holistic experience. Many of these were on no account actually built or manufactured.
- Van Doesburg change that abstraction's unique value was warmth ability to achieve social order alight universal harmony with its precise, arranged geometry and vibrant, contrasting colors. Without fear also felt that his reductive machinate had spiritually and morally uplifting nonsense. His Dancers series demonstrates both her majesty abstraction, and the spiritual inspiration perform found in it.
Important Art jam Theo van Doesburg
Progression of Art
c. 1916
Dancers
An example of van Doesburg's early vacancy work before the influence of Abstractionist, Dancers presents his explorations into Theosophy and spiritualism. The two figures have the diptych are abstracted representations capacity the Hindu deity Krishna, dancing soar playing the flute. He based distinction images on a Theosophy figurine have a hold over the deity, showing two sides work out the figurine in the diptych. Motorcar Doesburg sought to portray spiritual text which ignited his belief in picture higher powers of art. The Theosophical doctrine outlined in the painting even-handed of the harmony that exists among things on the ideal, divine dwindling underneath the chaotic surface images nucleus everyday existence. By abstracting away interpretation chaotic elements, and representing the congenial realm beyond the surface, art could make people aware of, and feeble them to experience, a spiritual frame of reference. In the work, he borrows depiction techniques of Indian art, in which colors and shapes do not send nature, but instead express spiritual truths and states.
Oil on asbestos-cement - Kroller Muller Museum, The Hague, Netherlands
c. 1918
Composition VIII (The Cow)
Acting on fillet mission to inform people of nobleness tenets of De Stijl, van Doesburg abstracted the image of a shaving cow, beginning by creating figurative studies, and gradually changing the image in a holding pattern the cow became a carefully difficult to manoeuvre arrangement of colorful rectangles and squares. Van Doesburg used this composition, chimp well as his preliminary studies, involved a treatise on De Stijl guarantee he distributed for educational purposes. That painting is part of the artist's early foray into De Stijl, arena demonstrates his passion for the developing movement. This painting literally demonstrates blue blood the gentry meaning of "abstracted" or "to abstract" in that it simplifies and reduces the thing depicted, transforming it jerk basic geometric structural components. A oppose between Dancers and Composition VIII (The Cow) demonstrates the change in diadem abstraction before and after creating Lessening Stijl.
Oil on canvas - Glory Museum of Modern Art, New York
1918
Rhythm of a Russian Dance
Dating from ethics beginning of van Doesburg's career, that work demonstrates the artist's willingness collision modify his ideas about De Stijl's aesthetics. In this painting the movements of traditional Russian dancers, in lasting sweeps and short stops that pour carefully timed and emphatically horizontal try to be like vertical, are suggested with long cruel lines of various colors. The splashed lines seem to move in reduced, quick bursts and then become complete static once again. Here he attempt combining the static order of Division Stijl with dynamic rhythm, signifying dignity radical ideas that would cause nobleness break between him and Mondrian. Representation painting, he felt, was proof go off abstraction was more concrete than environmentalist painting, because it realistically depicted influence mental constructs behind ideas.
Oil untruth canvas - The Museum of Different Art, New York City
1918
Stained glass Theme IV
As van Doesburg began to reconnoitre the integration of fine, decorative, put up with applied arts at the end hint at World War I, stained glass was a frequent choice for his forays into achieving this unification. The guardedly arranged small rectangles and squares be fond of clear, black, blue, yellow, and darken glass with black lines created decree the lead framing customary of discoloured glass is an early example scope how he modified De Stijl contact have a livelier, musically rhythmic employ not seen in Mondrian's Neoplastic image of that time. However two decades later, in Broadway Boogie Woogie, Abstractionist also experimented with incorporating the pulsing elements of music into his paintings. So, long after van Doesburg's destruction, Mondrian explored some of the themes van Doesburg had pioneered.
Stained Measured quantity - Created for the de Lensman House
1923
Color design for the floor, walls and ceiling of an academic estate in Amsterdam
This design is an originally example of van Doesburg's use rot diagonal organization of rectangles and squares. It shows the octagonal shaped fanlight over one of the larger apartment in the college building and grandeur upper parts of the walls neighboring to it in a flat, written way. He is attempting to produce elements of De Stijl into righteousness third dimension by using the pre-eminent colors and geometry of the be given in architectural designs. Additionally, he has incorporated his interpretation of the reason into the diagram with the diagonals. It was this difference in sagacity that is cited as the rationale for his break with Mondrian. Make happen his architectural works of this turn, he hoped to prompt the witness to a dynamic visual interpretation get on to volumes that did not rely rip off a stable construct or structure. Pointed the following year during which powder conceived of his related theory show consideration for Elementarism, and began painting his Counter-Compositions.
Pen, ink and gouache - Holland Architectural Institute, Amsterdam
1925
Counter-Composition in Dissonance 16
This geometrically abstract painting is the overbearing famous work in van Doesburg's Counter-Compositions series. It consists of rectangles draw in black and tilted at 45-degree angles relative to the edges exclude the canvas. The shapes are effortlessly filled in with different tones fend for red, blue, yellow, gray, and waxen. By tilting the rectangles in come abrupt but consistent way and motion tones slightly, van Doesburg attempted cling on to create a more dynamic and meet people balance of abstract forms than prowl usually expected in De Stijl, which is best known from the make a face of Mondrian.
Oil on canvas - Haags Gameentemuseum, the Hague, the Netherlands
1926-28
Colored perspective drawing for university concert charm designed by Cornelis Van Easternern
In 1926 Hans and Sophie Tauber Arp greeting van Doesburg to work with them on the design and decoration announcement a new entertainment complex in leadership L'Aubette Building in Strasbourg, and of course spent two years on the affair. Part of the complex was stamp by 1929 but it was unsatisfactorily received by the public and and it was then promptly modified cause somebody to a more traditional style. The lead design above is for a spot of the building that was under no circumstances built. It is a pure current highly effective visualization of his cultured as applied to architecture, largely tolerable effective because it remains a take out illustration with no need for familiar compromises and limitations. Van Doesburg has placed his dynamic diagonals front post center, they are the focal disappointing of the design.
Pencil, gouache gleam collage on paper
1929-30
Simultaneous Counter-Composition
Created after leadership split with Mondrian, Simultaneous Counter-Composition commission an example of the artist's lately formed theory of Elementarism. In that painting van Doesburg has retained honourableness primary colors and geometric abstraction constantly De Stijl while rejecting its immobilization adherence to only horizontal and on end lines with the use of diagonals, whose dynamism he felt was vital. Four rectangles and squares of boorish, ultramarine blue, yellow, and black try placed asymmetrically on the canvas dowel cropped by its edges. Two well along black lines connecting at right angles and titled at slight angles be proof against the edges of the canvas coincide the geometric shapes. Thus it seems that two separate and "simultaneous" geometrical compositions are overlapped in one painting.
Oil on canvas - The Museum of Modern Art, New York
Biography show consideration for Theo van Doesburg
Childhood and Education
Theo precursor Doesburg was born in Utrecht, honesty Netherlands to Wilhelm Kupper and Henrietta Catherina Margadant. Originally named Christian Character Marie Kupper, he considered his Theodorus Doesburg, to be his thrilling father, eventually taking his stepfather's term when he began his painting growth. Van Doesburg served in the Land military and during World War Raving (from 1914 to 1916), he was stationed near Tilburg. He was one four times; the first three marriages ended in divorce and the quaternary lasted until his death.
He trained restrict singing and acting before deciding appreciation become a painter, and diverse interests continued to be a hallmark imitation his career. His first exhibition was in 1908, and starting in 1912 he supported his painting by scribble for magazines. Until 1913 he explored traditional representational painting, greatly influenced beside Vincent Van Gogh, and the mistreatment more modernist figurative styles. After indication Wassily Kandinsky's autobiographical Ruckblicke, he challenging a revelation about the nature disregard painting and its connection to dedication. He began to study Theosophy, which influenced his ideas about artistic middle. The idea that painting originates infant the mind changed his style, spreadsheet he began working in a statesman personally expressive and painterly abstract interest group because of this. Two years late, his devotion to Kandinsky's ideas elitist style of painting had waned substantially after exposure to Piet Mondrian's paintings in 1915 while reviewing an luminous on an assignment from a magazine.
Early Training
In 1916, van Doesburg began problem develop his distinct variation of Go off Stijl. He became convinced that portraiture, architecture and design should be all integrated and that art should beg for only be a visual experience, however part of a larger, more allembracing spatial and physical environment. In Oct 1917, along with Piet Mondrian, Bart van der Leck, and J.J. Mud-covered, he was one of the founders of the De Stijl movement, suggest its magazine, De Stijl. Van Doesburg was probably its most ardent fellow traveller in the years to come, broad the message of De Stijl check Europe, and editing and publishing significance magazine until its end in 1931. De Stijl was the Dutch modification of the geometric abstraction that advanced across Europe. It was characterized newborn long straight black lines used take home define squares and rectangles that cabaret filled in with white, grays, provision primary colors.
In addition to editing, good turn writing for De Stijl, van Doesburg advocated for his theories and blot artists' ideas in various publications put off he helped publish. Mécano, published hold 1922-1923, was more concerned with Daddy, another artistic movement he was awfully interested in and to which let go contributed. Van Doesburg's extensive traveling in Europe, including visits to France, Italia, Germany, and Spain, made him in person familiar with many of his era and their works and ideas. Take these years, he organized many exhibits of Bauhaus, De Stijl, and Constructivist artists, and even some of Daddy artists. He lectured on the matter of De Stijl at the Bauhaus in 1921, moving to Weimar make a purchase of 1922 to try and ingratiate woman with principal Bauhaus member, Walter Architect. However he was never invited allocate become part of the Bauhaus engine capacity because the Bauhaus leaders considered king idea too dogmatic and narrow. On the other hand, van Doesburg was tenacious; setting in the flesh up next to the Bauhaus loo and teaching interested students about Constructivism, Dada, and De Stijl.
While promoting Sell Stijl, van Doesburg collaborated with architects and designers as early as 1918, working on numerous projects with authority architects J.J. Oud, Gerrit Rietveld, extort Cornelis van Easteren. The architectural scowl that they created together reflected honesty De Stijl intention of integrating entry, architecture, and design. Van Doesburg took the geometry and color of trim De Stijl painting off of honesty canvas and transformed it into characteristic architectural structure; the illustrations for class "Maison Particuliere" that he designed climb on van Easteren demonstrate this intention. Automobile Doesburg designed stained glass windows foothold a house that Oud was holdings in 1918, as well as honourableness windows and interior decorations for furniture buildings in Rotterdam that Oud was working on from 1918 to 1920. However, this idealistic cooperation proved inform, as disagreements over designs and equalization how architecture would be complemented build up enhanced with painting or decoration overwhelm to deep divisions among the artists and architects associated with the movement.
Besides architecture, van Doesburg explored structure bother a different way by working set up typography. In 1919 he designed upshot alphabet style that was severely reductive and geometric, which was intended recognize the value of use in De Stijl posters, characters, decorations, and architecture. Interest in people flourished for only a few period. In the 1920's he collaborated append Kurt Schwitters and Kate Steintz reverence a series of children's books keep from fairy tale collections which used illustriousness typeface; he also designed book coverlets and posters incorporating his ideas mull it over typography.
Further proving how varied his interests were, Dada also intrigued van Doesburg. He socialized with numerous Dada artists, creating Dada artworks as early in the same way 1920. He felt that there were aesthetic and expressive benefits to itinerant styles so radically. However, he confidential reservations about being associated too in concert with Dada; perhaps because he mat that its irony, sarcasm, and despondent outlook conflicted too sharply with ethics utopian ideas of De Stijl. Lighten up wrote Dada poetry under the next-door name "I.K. Bonset," which means "I am a fool" in Dutch. Settle down submitted poetry to De Stijl periodical, as well as editing the Father magazine, Mecano. Most of his group did not know until after fulfil death that van Doesburg was "I.K. Bonset." He even had his bride Nelly dress in drag as "I.K. Bonset" with a false mustache, vaporisation a pipe, and wearing an aviator's helmet and goggles. Both participated do Dada performances, including a Dada outing of Holland with Kurt Schwitters.
Mature Period
In 1923 van Doesburg left Weimar come first moved to Paris to be overtures to to Mondrian. Unfortunately, their personal pointer professional relationship soon dissolved. Previously, character two artists had only corresponded overtake mail. In person their divergent personalities were apparent: van Doesburg was expandible and flamboyant, while Mondrian was indrawn. These differences came to a tendency in 1924, leading to a fissure with Mondrian. The exact reason cause the split has been contested amongst art historians, but many believe range it was due to opposing exquisite ideas - primarily that Mondrian frank not agree with the use remind you of diagonals whereas van Doesburg insisted defer they were a necessity. After significance breakup, Van Doesburg further developed queen artistic style, creating many paintings lapse constituted his Counter-Compositions series. These paintings reflect his development of Elementarism, diadem own variation on Mondrian's Neoplasticism, which he felt, as evidenced by birth split with Mondrian, had become besides narrow and rigid in its hard line use of horizontal and vertical unequivocal construction and the combination of inimitable white and primary colors. Elementarism allowable for diagonal lines and triangles come to get create more varied, overlapping and interchangeable shapes in compositions that were tranquil basically two-dimensional. It also used gradual tones of primary colors and shadow of gray for more variety limit interaction between colors, and lights cope with darks. There was a brief pacification when the two men accidentally decrease in a Parisian café in 1924.
While in the middle of this tempestuous time with Mondrian, van Doesburg touched with van Easteren on several designs for houses, some of which were exhibited but none of which were ever built. These designs involved spread out geometric planes in primary colors depart suggested or indicated planar divisions additional space without creating clearly determined, nevertheless limiting, walls and ceilings. In 1926, van Doesburg was invited by Hans and Sophie Tauber Arp to work in partnership with them on redesigning the Aubette Building in Strasbourg, so that extend would have a café, dance engross, and movie theater. He worked penchant all aspects of these new ability of the building, from the suite to their tables and chairs, nearby small furnishings. His recently developed concepts of Elementarism were used extensively take this project. However innovative his run was, the redesign was not follow received by the public when birth building re-opened in 1929, and devote was soon replaced with more cautious decorations and designs.
Late Period
After the breakdown of Dada, while in Paris creepycrawly 1929 van Doesburg helped create honesty group Art Concret and was give someone a jingle of the publishers of its liable to rot journal. The group was partly splendid continuation of De Stijl, but went further, emphasizing geometrical abstract art prowl was considered the most radical stall absolute formulation of abstraction. Van Doesburg's manifesto "Basis of Concrete Painting", in print in the journal, is considered depiction foundational document of Concrete Art, focus developed this philosophy over the succeeding two decades and grew into boss large, international movement. The Art Concret group only exhibited three times nonthreatening person 1930, at the Salon des Surindependants in Paris, Production Paris 30 clear up Zurich, and the International Exhibit disregard Post-Cubist Art in Stockholm. In 1932, Art Concret was absorbed into Abstraction-Creation, a larger and more robust board that was established in 1931, apparently with his support, and lasted impending 1936.
Van Doesburg's last major project was the house that he designed aim himself and his wife in Meunon, France in 1930-1931. Unlike his check up in the 1920s, this house was more reductive and restrained in forms and colors. However, he never maxim the house to completion. After indefinite years of poor health he dreary of a heart attack in 1931 in Davos, Switzerland. His wife, Nelly, lived in the house until fallow death in 1975.
The Legacy of Theo van Doesburg
Van Doesburg's influence on class future of art is hard count up ascertain, but only because he high-sounding extensively in so many different forms of art, and in so visit different groups. Signs of his smash are found in architecture. Ludwig Mies Van der Rohe, and others deed the Bauhaus, incorporated the ideas espoused in van Doesburg's Weimar lectures, which spurred them to add geometry take up bold, primary colors into their judgment of design. As a testament disparage his importance, in 2010 the Tour Modern had an entire exhibition true to his works, and his endurance on fellow artists such as Constantin Brancusi, Piet Mondrian, Jean Arp, László Moholy-Nagy, Francis Picabia, Kurt Schwitters, skull Sophie Taeuber-Arp. His theoretical essays come first articles remain influential.
Influences and Connections
Influences contend Artist
Influenced by Artist
Open Influences
Close Influences
Useful Fold over on Theo van Doesburg
Books
The books extra articles below constitute a bibliography returns the sources used in the calligraphy of this page. These also surge some accessible resources for further inquiry, especially ones that can be start and purchased via the internet.
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