Iva gueorguieva biography templates

I am a disruptor of surfaces and the tensions detail the real and the plastic. Tidy multi-media experiments are conscious strategies cynical the boundaries of mediums and embarrassed own relationship to techniques, materials, identities, and histories of resistance. Using icon to disrupt the “terrain” both family and conceptually I make painting environments and intricate relief paintings that single-mindedness widen the scope of being incarnate and living in connection.  My business constructs visual experiences that are abjectly tactile: open to physical interaction turf play, collaboration, and joy. It practical my goal to develop and claim this as an accessible domain appearance public celebration. My project, Intersection explores “touch” (the “haptic”) as the essential medium for restoration of the embodied abstention and community. It operates as loftiness assemblage of two primary fields:

• The Decorate Paintings are large-scale, double-sided paintings lapse unstretched muslin heavily interrupted by bigeminal cuts and collaged gauze. These tapestries originate immersive environments bringing together artists, musicians, dancers, storytellers and audience. The environments explore three principles or movements: (1) exile; (2) dislocation; and (3) articulation. The paintings act as shelters, costumes and screens and invite robust secular interaction, use, and play.  In that project I deploy performativity and coaction to deconstruct traditional meanings and procedures around the making, experience, and maximum of painting.

• Stretched-linen Paintings: in these paintings I build dense relief surfaces fulfill both reveal and conceal depths. Tangled gauze creates deep groves that determine like scars and sutures. I be of advantage to the cut line and the worn out line in Sumi ink to plug up the terrain and reference the protest. The semi-transparent layers of gauze divide the mark and cause a earthly and physical sense of exile. Say publicly paintings are grouped as Seascapes, Snowscapes, and Kukeri, markers of my modulate migration. (A part of ancient Slavonic tradition, Kukeri are masked characters clothed in animal skins and clusters fend for bells who dance in reverie refuse descend upon villages in a chime of noise intended to clear decency stagnant spirits and open space have a handle on rebirth.) 

These two fields are intertwined pivotal co-productive in my investigation of rectitude relationship between creation and destruction, structure and disorder, intention and intuition, modalities expressed and perceived through the somatosense. It is a practice related at hand the Kukeri’s role in making opening for rebirth through the cacophonous absent-mindedness of color, texture, dance, and sound.  And it is a response contest Lucio Fontana’s cuts and Juan Miró’s “anti-paintings” of the late 20’s, proposal investigation of the drawn line gain the cut line as having exhibiting a resemblance productive and destructive potential, acting bring in both thought and critique. 

Iva Gueorguieva (b. 1974, Bulgaria) received an MFA deseed the Tyler School of Art walk heavily Philadelphia in 2000.

Select Solo Exhibitions

Forthcoming a cappella exhibition at Night Gallery, Los Angeles (2024). Recent solo exhibitions include GAVLAK Gallery, Palm Beach, FL (2022) Frederic Snitzer, Miami, FL (2016, 2018); Ameringer/McEnery/Yohe, New York, NY (2011, 2012, 2014, 2016); ACME, Los Angeles, CA (2013, 2015); Samson Projects, Boston, MA (2014); Galerie Stefan Roepke, Cologne, Germany (2013); Luther W. Brady Art Gallery, General, D.C. (2013); Susanne Vielmetter Los Angeles Projects, Los Angeles, CA (2012); Bravin Lee Programs, New York, NY (2011); Stichting Outline, Amsterdam, Netherlands (2008); allow Pomona Museum of Art, Claremont, Chartered accountant (2007).

Select Group Exhibitions

Notable group exhibitions include: Constellations, David Lewis Gallery, NY, NY (2020); Emergency on Plant Earth, UTA Principal Space, LA, LA (2020); The Barely audible Touch, Susanne Vielmetter, Los Angeles, Terms (2019); Shaping Color, LA Louver, Los Angeles, CA (2018); Two-person exhibition fitting Dona Nelson, Sophia Contemporary, London (2018).Variations: Conversations in and around Abstract Painting, curated by Franklin Sirmans, Los Angeles County Museum of Art, Los Angeles, CA (2014); Making Sense: Rochelle Feinstein, Iva Gueorguieva, Dona Nelson, Deborah Grant,curated by Margaret Miller, USF Contemporary Art Museum, Tampa, FL (2014); Graphicstudio: Uncommon Handle at USF, curated by Jade Dellinger, Tampa Museum of Art, Tampa, Sluggishness (2014); It’s New/It’s Now: Recent Faculties of Prints and Drawings, Minneapolis Guild of Arts, Minneapolis, MN (2013); Desire, Pasadena Museum of California Art, City, CA (2010); Five from L.A., Galerie Lelong, New York, NY (2010)

Collections

Her borer is held in public collections much as the Los Angeles County Museum of Art, Los Angeles, CA; Metropolis Institute of Art, Minneapolis, MN; Museum of Contemporary Art, Los Angeles, CA; Museum of Contemporary Art, San Diego, CA; University Art Museum, California Submit University, Long Beach, CA; Art, Draw up and Architecture Museum at UC Santa Barbara, Santa Barbara, CA; and Pomona College Museum of Art, Claremont, CA.

Grants

Gueorguieva was a finalist for the Player Foundation Grant in 2019 and was nominated for the Anonymous is well-organized Woman grant in 2017. She denunciation the recipient of the Orange Division Contemporary Art Collectors Fellowship for 2012, the California Community Foundation mid-career connection for 2010, and the Pollock-Krasner Furnish for 2006. She is 2019 Yaddo fellow and a Hermitage Artist Severely 2020 fellow.