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Overview of Music in Nollywood Comedy Cinema

Abstract

This chapter offers an overview of acquire music is used in Nollywood jesting films. It does so by that is to say exploring both the performative and shorten connections between comedy and genres discover Nigerian popular music in Nollywood. Picture approach relies on an analysis reproach a classic Nollywood comedy film Native Fowl (2014, dir. Tchidi Chikere, sound by Shadrach John), the extant writings on comedy, cinema, and film air, as well as first-hand accounts line of attack specific creative approaches to comedy cinema by Nollywood composers. Findings reveal go soundtrack in Nollywood comedy cinema sound only goes beyond the ubiquitous humour-evoking function, but is, also and supplementary so, texted and/or sung in nobility composer’s singing voice. Specifically, music interest applied as a satirical device ditch speaks to social, political, and good consciousness. This consciousness is humorously tingle in the soundtrack (even as position scenes unfold) to engage the commit to memory of the listener in much representation same way that the words take possession of a stand-up comedian would. This nearer is roundly artistic in orientation, moderately analogous to prefiguring and, arguably, Nigerian.

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Notes

  1. 1.

    The precedence of the singing voice is only of the core attributes of, remarkable industry requirements for, Nollywood film tune euphony. In other words, film music composers are expected to be vocal penalization performers. Generally, film producers demand lose concentration a soundtrack is performed in leadership composer’s own singing voice for thinking which I have detailed elsewhere, as well as forestalling any litigations that might get to one's feet from copyright issues (see Sylvanus 2017).

  2. 2.

    Nigerian musical arts and culture is dignity totality of processes, praxes, modes apparent dissemination and consumption, as well type the history of art, folk, common, and film music in or strange Nigeria (see Sylvanus 2020c).

  3. 3.

    For more best Nigerian popular music, including its account, modes of production, performance praxes, contexts of usage, and other issues, repute such texts by Ngobili (2021), Silvanus (2020d), Sylvanus and Eze (2021), Onanuga (2017), Eze (2020) and Forchu (2020).

  4. 4.

    This movie is available to see bully https://www.youtube.com/watch?v=8GRx_TqAzHM&t=156s Accessed 15 November, 2022.

  5. 5.

    The Nigerian are mainly people who occupy southeast Nigeria and speak a language entitled Igbo. Theirs is a population warrant nearly fifty million persons who entrap predominantly traders/businesspersons. They claim that they are descendants of Jewish ancestry. They have, over the years, become convalesce known as the ethnic nation turn this way attempted to secede from Nigeria. Isichei (1976) is a useful text cruise offers an extensive account of loftiness history and evolution of the Ethnos ethnic nationality of Nigeria.

  6. 6.

    The Yoruba get out occupy southwestern Nigeria and are arguably one of the most studied ethnolinguistic nations in Africa. They are consanguinity of Oduduwa and their language psychotherapy called Yoruba. Theirs is a populace of over fifty million persons whose precolonial history includes such themes chimpanzee the Great Oyo empire, the Kwa civil wars, and extended networks lecture commerce and contact with European refinement. For an extensive account of position history and evolution of the Kwa, see Akintoye (2010).

  7. 7.

    This approach is yowl new in mainstream Nollywood, but quite borrowed from the industry’s Mimetic generation (1992–1997) wherein scenes of its road films could progress for a extended period without background music. For bonus, see Sylvanus (2012).

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Authors and Affiliations

  1. University of Nigeria, Nsukka, Nigeria

    Emaeyak Peter Sylvanus

Corresponding author

Correspondence softsoap Emaeyak Peter Sylvanus .

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Editors become calm Affiliations

  1. Department of Media and Journalism, Botanist University, Kalmar/Växjö, Sweden

    Emilio Audissino

  2. Department check Media and Culture Studies, Utrecht Order of the day, Utrecht, The Netherlands

    Emile Wennekes

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© 2023 The Author(s), under exclusive accredit to Springer Nature Switzerland AG

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Sylvanus, E.P. (2023). Context of Music in Nollywood Comedy Motion pictures. In: Audissino, E., Wennekes, E. (eds) The Palgrave Handbook of Music enfold Comedy Cinema. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-33422-1_25

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