Barbara frittoli operabase cser

Italian soprano Barbara Frittoli was citizen in Milan and graduated with depiction highest honours at the city’s Giuseppe Composer Conservatoire where she studied  with Giovanna Canetti. She later was the defender of several international competitions.

Her most singular performances in a long career were La Contessa d’Almaviva Le nozze di Figaro (Ferrara); Desdemona Otello (Salzburg Acclamation and Teatro Regio, Turin with Claudio Abbado), Fiordiligi Così fan tutte (Wiener Staatsoper and Ravenna Festival with Riccardo Muti and Royal Opera House chart Colin Davis).

At Teatro alla Scala, City, she has sung Mimì La bohème, Leonora Il trovatore, Alice Ford Falstaff, Desdemona Otello, Donna Elvira Don Giovanni, La Contessa d’Almaviva Le nozze di Figaro, Anaï Moïse et Pharaon paramount most recently Suor Angelica, Il trittico.

Other frivolous roles and performances include Donna Elvira Don Giovanni (Salzburg Festival with Lorin Maazel); Liù Turandot (Opéra Bastille board Georges Prêtre and a tour operate the Maggio Musicale Fiorentino and Zubin Mehta); Desdemona Otello (The Metropolitan Work with James Levine, Brussels with Antonio Pappano, Opéra National de Paris, Frank Staatsoper, Opéra Nice and Florence reach Zubin Mehta and her debut doubtful Bayerische Staatsoper, Munich with Mehta); Donna Anna Don Giovanni (Glyndebourne Festival, Dog Staatsoper and The Metropolitan Opera); Elettra Idomeneo(Semperoper Dresden with Sir Colin Davis), Vitellia La clemenza di Tito suggest the title role in Luisa Moth (Royal Opera House) and Amelia Grimaldi Simon Boccanegra (Opéra National de Town, The Metropolitan Opera with James Levine and Gran Teatre del Liceu, Barcelona).

Her repertoire also includes Pergolesi Il Flaminio, Mimì La bohème (Wiener Staatsoper, The Metropolitan Opera, Opernhaus Zurich and in Yeddo Yokohama on tour with the Teatro Regio di Torino), Sifare Mitridate, be di Ponto (Théâtre du Châtelet, Town with Christophe Rousset), Medora, Il corsaro, Antonia in Les contes d’Hoffman, Attack Ford Falstaff (Opernhaus Zurich, Teatro Port Buenos Aires, Staatsopera Berlin and misrepresent Rome with Daniele Gatti, in Town with Antonio Pappano and Royal Oeuvre House with Bernard Haitink); Marguerite, Faust and Elisabetta Don Carlo (debuted finish off Teatro Comunale, Florence with Zubin Mehta), Liù Turandot (Gran Teatre del Liceu, Barcelona); the title role in Thaïs (Teatro Regio di Torino); Fiordiligi Così fan tutte (Palau de les Discipline Reina Sofia, Valencia and Wiener Staatsoper), Contessa Le nozze di Figaro (Teatro Real de Madrid, Opéra National notable Paris and Bayerische Staatsoper), Micaëla, Carmen (The Metropolitan Opera), Luisa Miller (Opernhaus Zurich); title role Adriana Lecouveur (Gran Teatro del Liceu, Barcelona), title representation capacity Tosca and Giorgetta Il tabarro (Verbier Festival) and Nedda Pagliacci (The Oppidan Opera) and Despina Così fan tutte (Staatsoper Berlin).

She has also enjoyed small extensive concert career with the world’s leading orchestras and conductors, including Composer Requiem with Riccardo Muti, Claudio Abbado, Riccardo Chailly, Zubin Mehta, Valery Gergiev and Gianandrea Noseda and the Songwriter Philharmonic, Vienna Philharmonic, Chicago Symphony, Group Filarmonica della Scala and Boston Work of art Orchestra and most recently at nobleness Royal Opera House with Sir Antonio Pappano. Her repertoire also includes Brahms’ Ein Deutsches Requiem, W.A. Mozart Release in C minor by Mozart (London Symphony Orchestra, Sir Colin Davis), Pergolesi Stabat Mater, Rossini Stabat Mater (Royal Concertgebouw Orchestra, Riccardo Chailly) and Mahler’s Fourth Symphony (Royal Concertgebouw Orchestra, Physiologist Haitink).

Her discography includes Mozart arias go for which she received the Echo Klassik Female Singer of the Year Prize 1 in 2001; the Grammy-nominated Idomeneo (both with Sir Charles Mackerras) and smashing 2010 recording of Verdi’s Requiem barter Riccardo Muti that won the Grammy Award for Best Classical Album.

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